CREW |
Directed by George
Lucas |
Writing credits:
George Lucas |
Produced by George
Lucas (executive) & Rick McCallum (I) |
Original music by
John Williams |
Cinematography by
David Tattersall |
Film Editing by Ben Burtt, George Lucas &
Paul Martin Smith |
Casting:
Robin Gurland |
Production Design by
Gavin Bocquet |
Art Direction: |
Phil Harvey (II) |
Fred Hole |
John King (V) |
Rod McLean |
Peter Russell (V) (supervising) |
Ben Scott (II) |
Set Decoration:
Peter Walpole |
Costume Design by
Trisha Biggar |
Makeup Department:
|
Mark Coulier (special
makeup effects) |
Paul
Engelen (key makeup artist) |
Sarah Love (hair stylist) |
&
Sue Love (hair stylist) |
Production Management:
|
Abdel Aziz (production
manager, Italy production supervisor) |
Tunisia David Brown (III)
(production supervisor) |
Jo Burn (production manager) |
Guido Cerasuolo (production
manager: Italy) |
Peter Heslop (production
manager: Tunisia) |
Abdelaziz Ben Mlouka (production
manager: Tunisia ) |
Second Unit Director
or Assistant Director: |
Bernard Bellew (second
assistant director) |
Roger Christian (second
unit director) |
Dario Cioni (second assistant
director: italian crew) |
Nick Heckstall-Smith
(first assistant director: second unit) |
Ben Howarth
(third assistant director) |
Moez Kamoun
(first assistant director: Tunisia) |
Christopher
Newman (II) (first assistant director) |
David
Turchi (first assistant director: Italy) |
George
Walker (V) (second assistant director: second unit) |
|
Lee Apsey (assistant construction
manager) |
Tom Barrett (IV) (art
department assistant: USA) |
Mike Bishop (II) (draughtsman) |
David Bubb (construction
manager) |
Laura Burrows (I) (art
department coordinator: UK) |
Eddie Butler (II) (sculptor) |
Christopher Challoner
(art department assistant: UK) |
Peter Chan (II) (storyboard
artist) |
Ivo Coveney (costume props
modeler) |
Paul Cross (II) (draughtsman) |
John Davey (IV) (painter
department head) |
Simon Dunsdon (art department
assistant) |
Philip Elton (II) (draughtsman)
|
James Gemmill (scenic
artist) |
Tessa Harrison (sculptor) |
Taieb Jallouli (art director:
Tunisia) |
Benton Jew (storyboard
artist) |
Jill Jurkowitz (art department
coordinator: USA) |
Ellen Lee (II) (assistant
artist) |
Alex Lindsay (art department
assistant) |
Iain McFadyen (art department
assistant: UK) |
Ralph McQuarrie (artist) |
Richard Mills (III) (sculptor) |
Neil Morfitt (draughtsman) |
Jane Clark Pearce (draughtsman) |
Julie Philpott (draughtsman)
|
Claire Nia Richards (art
department assistant: UK) |
Lucy Richardson (draughtsman)
|
Peter Russell (V) (supervising
art director ) |
Ben Scott (II) (art director:
Tunisia |
Keith Short (sculptor
|
Richard Smith (VII) (sculptor) |
Keith Stevenson (I) (set
dresser) |
Rob Sutton (carpenter
department head) |
Emma Tauber (art department
assistant: UK) |
Ty Teiger (property master) |
Gary Tomkins (draughtsman)
|
Sarah Tozer (draughtsman
|
Blake Tucker (art department
coordinator: USA) |
Danny Wagner (model maker
sculptor) |
Melanie Walas (model maker)
|
|
Jennifer Barin (machine
room operator) |
Chris Barron (machine
room operator) |
Tom Bellfort (supervising
sound editor) |
Craig Burns (sound assistant)
|
Ben Burtt (sound designer
supervising, sound editor) |
Jonathan Greber (sound
transferer) |
Tom Johnson (I) (sound
re-recording mixer) |
Joan Malloch (sound transferer) |
Frank Merel (foley recordist) |
John Midgley (sound recordist)
|
Shawn Murphy (score mixer,
score recordist, sound re-recording mixer) |
June Prinz (boom operator) |
Ronald G. Roumas (sound
re-recordist) |
Gary Rydstrom (sound re-recording
mixer) |
Jurgen Scharpf (sound
mix technician) |
Dee Selby (sound transferer)
|
Kevin Sellers (assistant
sound editor) |
Tony Serano (sound mix
technician) |
Steve Slanec (assistant
sound editor) |
Kent Sparling (sound mix
technician) |
Dave Tanaka (sound effects
editor) |
Jana Vance (foley artist)
|
Kenneth Wannberg (music
editor) |
Matthew Wood (I) (adr
recordist supervising sound editor) |
Special Effects |
Dan B. Goldman (sequence
supervisor) |
Jack Haye (matchmover)
|
Peter Hutchinson (special
effects supervisor) |
Veronica D. Loud-Nelson
(cloud photographer) |
Sean Schur (sequence supervisor)
|
Visual Effects |
Lauren Abrams (model maker)
|
Barbara Affonso (chief
model maker) |
Philip Edward Alexy (digital
character animator: Gungan Ground Battle sequence) |
Carl Assmus (model maker)
|
Katharine Baird (digital
paint/rotoscope artist: underwater sequence lead) |
Rob Barnes (concept modeler)
|
Chris Barton (animatronic
model designer) |
Dugan Beach (digital model
development and construction artist) |
William Beck (I) (chief
model maker) |
Anna Bies (modelmaker) |
Don Bies (puppeteer: R2D2)
|
Ronn Brown (matte artist)
|
Rob Coleman (animation
director: ILM Shirley Cooper animatronic model designer) |
Michael Cordova (film
scanning & recording) |
Nick D'Abo (model maker)
|
Beth D'Amato (rotoscope
artist: ILM) |
Russell E. Darling (digital
technologies) |
Fon Davis (model maker:
ILM) |
Caine Dickinson (3-D computer
modeler) |
Giovanni Donovan (chief
model maker) |
Andrew Doucette (II) (animator) |
David Dozoretz (pre-visualization
effects supervisor) |
John Duncan (II) (concept
modeler) |
Simon Dunsdon 3-D (computer
modeler) |
Kelly Fischer
(digital rotoscope paint artist) |
Alex Frazao (motion capture
engineer) |
Dawn Gates (digital rotoscoper) |
Steve Gawley (model supervisor
modelshop project supervisor) |
Brian Gee (technical assistant:
ILM) |
Bill George (I) (matte
artist) |
Brian Gernand (chief model
maker) |
Ray Gilberti (effects
director of photography) |
John Goodson (concept
modeler) |
Ned Gorman (visual effects
producer) |
Lydia Greenfield (digital
plate restoration: ILM) |
Paul Griffin (I) (animator)
|
Aaron Haye (model maker) |
Hal T. Hickel (lead animator) |
Oliver Hodge (chargehand
modeler) |
Grant Imahara (model maker) |
Nancy Jencks (II) (digital
plate restoration: ILM) |
Ira Keeler (chief model
maker) |
John Knoll (visual effects
supervisor) |
Mitch Kopelman (digital
artist) |
Ellen Lee (II) (concept
modeler) |
John M. Levin (I) (Visual
Effects Production Assistant) |
Simon Maddocks (digital
artist) |
Ian McCamey (editorial
staff: ILM) |
Ann McColgan (CG staff:
ILM) |
W. Regan McGee (2D digital
rotoscope: paint artist) |
Todd Mitchell (film scanning
and recording: ILM) |
Amanda K. Montgomery (visual
effects production coordinator: ILM) |
Rodney Morgan (model maker)
|
Wendy Morton (model maker)
|
Dennis Muren (senior visual
effects supervisor) |
Aaron Muszalski (digital
rotoscope and paint artist) |
David Nakabayashi (visual
effects art director) |
C. Andrew Nelson (digital
paint and rotoscope artist) |
Jeff Olson (II) (visual
effects producer) |
Lorne Peterson (chief
model maker model project supervisor) |
Nicolas Popravka (software
development: ILM) |
Tony Preciado (model maker:
ILM) |
Seth Rosenthal (motion
capture supervisor) |
Marc Sadeghi (visual effects
production staff) |
Mike Sanders (II) (motion
capture engineer) |
Heather Smith (I) (visual
effects producer) |
Scott Squires (visual
effects supervisor) |
Katrina Stovold (digital
plate restorator) |
Eben Stromquist (model
maker) |
Larry Tan (model maker) |
Dave Tanaka (digital composite
and modeling research) |
Stephanie Taubert (digital
plate restoration: ILM) |
Michelle Taylor (animatronic
model designer) |
Jayne-Ann (Tenggren pre-visualization) |
Bill Tlusty (visual effects
production staff) |
Alan Travis (digital plate
restoration: ILM) |
Alex Tropiec Jr. (digital
effects artist) |
Sabre Ryan (Tudhope pre-visualization)
|
David Valentin (visual
effects production coordinator) |
Steve Walton (chief model
maker) |
Talmage Watson (matchmove
artist:ILM) |
Judith Weaver (visual
effects producer) |
David Wiezer (grip: ILM) |
Eran Yachdav model maker)
|
Habib Zargarpour (computer
graphics supervisor: ILM) |
Ken Ziegler (digital effects
artist) |
Stunts |
Daniela Biernat (stunts)
|
Ray De-Haan (stunts) |
Nick Gillard (stunt co-ordinator) |
Joss Gower (stunts) |
Rob Inch (stunt double
for Qui-Gon) |
Morgan Johnson (stunts)
|
Mark Anthony Newman (stunts) |
Andreas Petrides assistant
stunt co-ordinator & stunt double for Obi-Wan) |
Dominic Precce (stunts)
|
Other crew |
Phil Allchin (transportation
manager)
|
Jonathan Allen (II) (music
assistant engineer) |
Sarita Allison (art finisher)
|
David Ayres (I) (production
runner) |
Kevin Baillie (animatronic
artist) |
Ken Barley (plasterer
department head rigger) |
Rob Barnes (concept sculptor)
|
Chris Barton (creature
workshop supervisor) |
Amel Becharnia (production
coordinator: Tunisia) |
Jessica Bellfort (dialogue
supervisor) |
Tamana Bleasdale
(floor runner) |
Derek Boyes (photographer) |
Jonathan Bresman (conceptual
researcher) |
Scott Brewer (I) (projectionist) |
Laura Cappato (production
coordinator: Italy) |
Kun Chang (concept artist:
UK) |
Doug Chiang (director
of concept design) |
Melanie Claus (travel
coordinator) |
Trevor Coop (camera operator) |
Ronald Corp (score: New
London's Children Choir director) |
David Craig (IV) conceptual
researcher) |
Sara Creed (costumes) |
Chris Cypert (still image
coordinator) |
Philippa Day (unit manager:
Tunisia) |
Tim De'ath (catering manager) |
Andrew Dudman (music assistant
engineer) |
Nick Dudman (creature
effects supervisor) |
Lester Dunton (video operator)
|
Tony Eckert (foley (mixer)
|
Terry Edwards (score:
London Voices director) |
Kathryn Farrar (chief
financial controller) |
Jonathan Fisher (III)
(plate stills photographer) |
Dave Forty (music assistant
engineer) |
Colin Fox (II) (drapes
master) |
Miguel A. Fuertes (lead
animator) |
Marc Gabbana (concept
artist: USA) |
Howard Gersh (technical
director) |
Nick Gillard (sword master)
|
Ray Griffiths (stand-in:Kenny
Baker, R2-D2) |
Gavin Hale (stand-in:
Kenny Baker, R2-D2) |
Lynne Hale (director of
publicity) |
Kirsten Hampton (extras
casting) |
Keith Hamshere (still
photographer) |
Barbara Harley (assistant
accountant) |
Alan Harris (III) (stand-in
for Chancellor Finis Valorum) |
Nathan Holmes (floor runner)
|
Jeremy Johns (unit manager:
Tunisia) |
Kurt Kaufman (concept
artist: USA) |
Ali Keshavji (production
runner) |
Giles Keyte (still photographer:
documentary) |
Eddie Knight (II) (gaffer)
|
Koichi Kurisu (conceptual
researcher) |
Bruce Lacey (foley editor) |
Sean Landeros (machine
room operator) |
Sharon Long (wardrobe
supervisor) |
Jay Maidment (still photographer:
reshoots) |
Fabio Mancini (transportation
manager) |
Leo Martin (II) (assistant
production coordinator) |
Ann Maskrey (assistant
costume designer) |
Iain McCaig (concept artist:
USA) |
Tony McVey (concept sculptor)
|
Richard Miller (IV) (concept
sculptor) |
Sally Millson (unit nurse) |
Stewart Monteith (best
boy) |
Michael Mooney (costume
assistant) |
Peter Myslowski (key grip) |
Ed Natividad (concept
artist: USA) |
Janet Nielsen (assistant:
second unit) |
Hermione Ninnim
(production coordinator) |
Giles Nuttgens
(director of photography: second unit) |
Jim Passon
(color timer) |
Keith Pitt
(chargehand) |
Mary Pat Platner
(first assistant editor) |
Gary Pollard
(creature sculptor) |
Evan Pontoriero
(animatronic artist) |
Brandon Proctor
(machine room) |
Steve Ricard
(stand-in) |
Steve Romanko
(machine room) |
Joseph Jett
Sally (assistant editor: avid) |
Steve Sansom
(rigger department head) |
Richard Sharkey
(location manager: Lucasfilm) |
Jon Shenk
(documentarian) |
Jay Shuster
(concept artist: USA) |
Mark Siegel
(I) (concept sculptor) |
Christian
Simpson (utility stand-in) |
Howard Swindell
(creature effects crew) |
Michele Tandy
(production accountant) |
Jayne-Ann
Tenggren (script supervisor) |
Isobel Thomas
(assistant to producer) |
Dennie Thorpe
(foley artist) |
John Torrijos
(video service) |
Remo Tozzi
(junior draughtsman) |
Ryan Tudhope
(effects artist) |
Jeannie Udall
(unit nurse) |
Lisa Vick
(script supervisor: second unit) |
Terryl Whitlach
(concept artist: USA) |
Marian Wilde
(foley editor) |
Betty Williams
(set cost accountant) |
John Williams
(conductor music producer) |
Jeff Wozniak
(animatronic artist) |
Tony Wright
(II) (concept artist: UK Helen Xenopolous junior draughtsman) |
Christian
Von Burkleo (video service) |
Production
Companies |
Lucasfilm
Ltd. |
Distributors |
20th Century
Fox Film Corporation (USA) |
20th Century
Fox of Germany (Germany) |
Hispano Foxfilm,
S.A.E.(Spain) |
UGC-Fox Distribution
(UFD) (France) |
Special
Effects |
Industrial
Light & Magic (ILM) |
Camera
rental |
Arri Media |
Choir |
London Voices
|